The whole story of Ancient World, which is pre-Greek, pre-Latin, and pre-Indoeuropean, speaking (a) Kartvelian language(s) all over from Spain to Caucasus, and from Estonia to Sudan, is long. It’s a matter of a separate folio, the work on which is under way. The number of word’s toponyms that have finally had a luck to obtain their true Kartvelian etymology account for hundreds and belong to practically all languages of Europe, Africa, and Asia. So do many words from all the Old World languages that had been having vague or non-existing explanation so far. So do current Georgian surnames that suddenly happened to find their roots as Spanish to Indian, and Polish to Congolese toponyms, both existing and extinct.

Dancing with the romantic plot outline available: the Spaniards "Flamenco" and "Fandango" Italians "Pavane" and "Tarantella", the French "Minuet" Poles "Mazurka" Hungarians "Czardas", etc. Among peoples of the Caucasus, some female-male dance called "Lezginka".The Georgian people's "legend" about love - it's "Kartuli." Unfortunately, for a long time it was called "Lezginka." A question about who named by the term "Kartuli" go later.

Ancient martial dance "Khorumi" is distinguished from many of the Georgian national dances and is is unique, characteristic movements, playing and the form which contains dramaturgy. It reminds us an old show, "Sakhioba". These pas reflect consciousness of the Georgian warriors. "Khorumi" included by Akhmeteli in a professional drama "Tetnuldi", also in Chabukini's ballet "The heart of the mountains". It is interesting to compare with the ancient Greek martial dance "Pyrrhichios", with other musical works, such as "Bolero" by Ravel, Shostakovich's "Symphony No. 7", Prokofiev's cantata "Alexander Nevsky" and others.

Georgian intelligentsia emerged in the 1860’s, soon after this social stratum became driving force for westernizing Russia’s political culture. Like its Russian counterpart, Georgian intelligentsia went through three stages of development. At its origin it was seen as the campaigner for restoration of Georgian culture and rights of Georgian people. During the soviet era, the majority of its members were co-opted by the government and served as a conduit of the systems ideological principles and values. For this they enjoyed incentives denied to ordinary soviet citizen. Post-soviet Georgian intelligentsia finds itself deprived of past glory and in opposition to its own people.